Monday, 30 September 2013

Camera Excercise Analysis

Critical Assessment of 'The Watching'


'The Watching' is just a short sequence in which my group and I were practicing camera techniques. It features a quiet, fairly introverted school girl, trekking to her next class, unaware that she is being watched. She continues down an empty corridor when she is suddenly ambushed. The sequence ends with her futilely trying to escape her attacker but ultimately she is pulled away into whatever fate awaits her.

The shots included are as listed:

  • Long-shot
  • Tracking shot
  • Point of view
  • Crane shot
  • Tilt shot
  • High angle
  • Close up
Not all of the shot types have been included into the sequence, the ones that have been left out were:
  • Medium shot
  • Extreme close up
  • Over the shoulder
  • Low angle
  • Pan
  • Rolling shot
Some of these shots have not been incorporated into the sequence due simply to the fact that they would not work with the horror/thriller theme. Example: the villain of the story does not show up until the end and even then he only appears briefly; a low angled shot would be pointless. Even if it was used for the main character, the camera shot wouldn't work as the shot give the impression of power and poses a threat. The main character is a victim and is needed to be viewed as meek and powerless, hence the high angled shot.

To continue with the purpose behind each shot, there are purposes behind the scenes. As i have just explained, the high angled shot is to give the impression that the main character is meek and powerless, the audience instinctively knows that something terrible is going to happen to her (the crane shot similarly instills this). The long, crane, tracking incorporated shots at the beginning illustrate that the main character is being watched. It highlights the sudden sinister aura permeating from the scene as the audience doesn't know who is watching her and also shows the irony that the main character is unaware of being stalked. Again, the lone tracking shot is one of the main shots in the short sequence as it almost portrays that she is being hunted, the whole purpose of the film. It adds the creepy edge as we don't know who is hunting her or why. The point of view shot illustrates her obliviousness to her situation. it adds irony and a frantic frustration to the audience as they slightly know what's happening. Finally, the close up of the main character's hand at the end illustrates her need to escape, but the fact that only her hand is shown provides the reader that the rest of her will not follow her escape and she is soon swiftly yanked back to her demise.

For some of the shots, the camera was purposely shaken e.g. with the point of view shot, the camera was held at the point where someone would see and so the jostling was a part of the natural process of somebody moving. However there were some parts where the camera was jostled due to the stiffness of the tripod. I would suggest in future that some of the shots be hand held when it came to movement to ensure a more fluid motion.

The Watching (Camera Exercise)


Sunday, 29 September 2013

First Day (Screenplay Practice)

(Okay, not quite a heart-racing, adrenaline pumping thriller but this is just practise work just to get used to writing screenplays. Constructive criticism welcomed, I want to know how to improve, thank you for reading.)

A clamorous parade of cars migrating resound soft and loud as they manifest and just as quickly disappear. The noises continue ubiquitously as camera switches to mundane street objects; stretching up at the lanky lamppost, in the gutter watching the worn rubber of car wheels rumble by, on the pavement observing a forest of legs as they wander to and fro in the busy hubbub of the early morning rush. A pair of fresh kickers stroll onto the screen and the camera follows at their leisurely pace. The kickers suddenly halt, in the background is the bottom of a wrought iron gate, rusted with chipped, black paint. The camera trails up, revealing black, well-pressed trousers, an over sized blazer with an arm clutching the limb of a plum purple rucksack almost for dear life and finally the blanched countenance of a girl. Her placid hair is swept up into a makeshift ponytail and her face is an expression of sincere dread. She stares ahead and the camera switches to view her from behind. The giant mass of a grey secondary school dwarfs her as a blank, unsympathetic sky looms overhead. After a few moments, a bell tolls in the distance, signalling a swarm of students to rush in and engulf her. The camera returns back to her face to see her sigh dismally as she allows herself to be swept away in the current of children. Slowly, after she vanishes from sight, the camera fades to black.

Friday, 20 September 2013

Cinematography (Micro Elements)

Cinematography
Cinematography is the use of the camera and understanding the techniques of camera shot and camera movement.

Camera Shots:
- Long Shot - shows the entire the subject and is usually intended to place it in some relation to its surroundings.









- Medium Shot - a shot of the person from the knees up or the waist up.










- Close Up - tightly frames the subject.  








- Extreme Close Up - showing detail of the subject closer than a close up shot.












- Point of View - shows what the subject is looking at.








- Low Angle - presents a sense of power or authority onto the person or object being filmed.









- High Angle - instills a subserviant or vulnerable ambience onto the person or object being filmed.


Camera Movement:
- Pan - the camera follows the movement of the person or object being filmed from side to side.









- Tilt - the camera follows the movement of the person or object being filmed from top to bottom or vice versa.










- Crane Shot - similarly to a high angle shot, it tills a subserviant or vulnerable ambience onto the person or object being filmed. It also gives a sense of desolation to the surrounding area.












- Tracking Shot - the camera is mounted on a camera dolly, a wheeled platform that is pushed on rails while the picture is being taken


- Rolling Shot - the camera tilts as it's rolling.










- Steadicam - a lightweight mounting for a film camera which keeps it steady for filming when handheld or moving.


Tuesday, 17 September 2013

Macro Elements

Film and Media Language (Macro Elements)
Genre: a category of media products that are classified as being similar in form or type (attributes are recognisable to the genre - characters, setting, costume, props, ect...)

Genres: Mystery, Romance, Drama, Horror, Sci-Fi, Comedy, Fantasy, Adventure ect ...
Example: Aspects of a horror:
  • Murderous, creepy or supernatural villans
  • Dark, unnerving settings
  • Main characters brought out of their comfort zone.
The Narrative: the story, narrative structure of the film piece.

The Story is the sequence of events, i.e. the plot

The narrative structure is the way those events are revealed to the audience.

Linear narrative: events are shown in the order they should be (in the order te took place in).

Non-linear narrative: sequences are revealed out of order.

Monday, 16 September 2013

Welcome Post

Hey guys! As you have undoubtedly seen, my name is Beth as all of this work you see on my blog will primarily be my media work. This year will feature me learning the techniques in the ancient art of camera work, me trying (and failing) to understand the concepts of editing and hopefully by the end of the year I will manage to squeeze out a fairly decent thriller movie. There will be unrelated posts on here such as my practicing screenwriting and trying to develop a plot for any films I may produce. Right then, I won't bore you any longer and all I have to say is enjoy.